Published writings include:

2024 Exhibition Review: Nick Sikkuark: Humour and Horror ᓂᑯᓚ ᓯᑯᐊ. ᐃᒡᓚᕐᓇᖅᑐᑦ ᐊᒻᒪ ᑲᑉᐱᐊᓇᖅᑐᑦ – Border Crossings Magazine (Upcoming)

2024 Daphne Odjig: Guarding Shield – Heffel Gallery (Upcoming)

2023 Fort Simpson: The Historical work of Frederick Alexcee – National Gallery of Canada

2023 Dialogue(s): In Conversation with Stanley Wany – Canada Council for the Arts Art Bank

2023 Phoenix City: Group Exhibition at SAW Centre (Exhibition Review of “Beirut: Eternal Recurrence”) – Canvas Magazine Art and Culture from the Middle East and Arab World

2023 Exhibition Review: Canada Council Art Bank’s 50th Anniversary Exhibition “Looking the World in the Face” – Border Crossings Magazine

2023 Gallery and Community: Governor General Awards for Visual Arts 2022 – National Gallery of Canada

2023 Embodying Vulnerability in an Art World Professing Care: In Conversation with Artist Rihab EssayhVie des arts Magazine

2022 Exhibition Review: Towards Home – The CCA’s current exhibition explores northern Indigenous concepts of home, Canadian Architect Magazine

2022 Encoding Culture II: The Works of Barry Ace Catalogue, Heffel Gallery

2022 Lawrence Paul Yuxweluptun: Indian Residential School, Leaving the Shallow Graves and Going Home, Heffel Gallery

2021 Encoding Culture I: The Works of Barry Ace Catalogue, Heffel Gallery

2021 Essays on the work of Barry Ace, Heffel Fine Art Auction House and Gallery Limited

2021 Michael Belmore: Materials and Deep Time, Gallery Magazine, National Gallery of Canada

2020 Lay of the Land: A Conversation with Nenets Artist Evgeniy Salinder, Gallery Magazine, National Gallery of Canada

2019 Inspired Gathering: the International Indigenous Art of Àbadakone, Gallery Magazine, National Gallery of Canada

2019 Makwa’s Return: Algonquin Artist Claude Latour, Ottawa Life Magazine

2018 Review: Àdisòkàmagan / Nous connaître un peu nous-mêmes / We’ll All Become Stories at Ottawa Art Gallery, C Magazine, Issue 139

2016 Review: Floe Edge: Contemporary Art and Collaborations from NunavutInuit Art Quarterly, Spring 2016

2016 Review: Questioning Citizenship at the Venice Biennale: Responses and InterventionsC Magazine, Issue 128

Below are a selection of writings produced during my time completing a Masters of Digital Humanities. My research looked at the social impact of technology focusing on the way national narratives are constructed in a digital era as well as looking at how contemporary Indigenous artists and activists use cyberspace as a place to counter those narratives. Book ending Expo ’67 with Canada 150, I conducted research on screen technology as a precusor to digital design and interfaces. Also, because of a curiousity of monuments as physical manifestations of national narratives, heritage conservation and memory studies provided a foundation upon which to consider how we archive digital heritage.

2018 TECHNOLOGY & WORLDVIEWS: Virilio / Innis, Dromology / Drones, can Indigenous ontologies illuminate an exit out?

2017 ZIBI: A case study on thinking through Indigenous heritage values

2017 NARRATIVE FLEXIBILITY OR NOT? Motifs of labour, progress and citizenship in the representation of Indigenous people in the films of the NFB

2017 NATION BUILDING 2.0: Will crowdsourcing culture and innovations in the digital era allow Canada’s 150 to build on Expo ‘67’s experimental legacy during McLuhan’s “electric age”?