WRITING
Published writings include:
2023 Frederick Alexcee’s Fort Simpson – National Gallery of Canada (Upcoming)
2023 Dialogue(s): In Conversation with Stanley Wany – Canada Council’s Art Bank (Upcoming)
2023 Phoenix City: Group Exhibition at SAW Centre (Exhibition Review of “Beirut: Eternal Recurrence”) – Canvas Magazine Art and Culture from the Middle East and Arab World
2023 Exhibition Review: Canada Council Art Bank’s 50th Anniversary Exhibition “Looking the World in the Face” – Border Crossings Magazine
2023 Gallery and Community: Governor General Awards for Visual Arts 2022 – National Gallery of Canada
2023 Embodying Vulnerability in an Art World Professing Care: In Conversation with Artist Rihab Essayh – Vie des arts Magazine
2022 Exhibition Review: Towards Home – The CCA’s current exhibition explores northern Indigenous concepts of home, Canadian Architect Magazine
2022 Encoding Culture II: The Works of Barry Ace Catalogue, Heffel Gallery
2021 Encoding Culture I: The Works of Barry Ace Catalogue, Heffel Gallery
2021 Essays on the work of Barry Ace, Heffel Fine Art Auction House and Gallery Limited
2021 Michael Belmore: Materials and Deep Time, Gallery Magazine, National Gallery of Canada
2020 Lay of the Land: A Conversation with Nenets Artist Evgeniy Salinder, Gallery Magazine, National Gallery of Canada
2019 Inspired Gathering: the International Indigenous Art of Àbadakone, Gallery Magazine, National Gallery of Canada
2019 Makwa’s Return: Algonquin Artist Claude Latour, Ottawa Life Magazine
2018 Review: Àdisòkàmagan / Nous connaître un peu nous-mêmes / We’ll All Become Stories at Ottawa Art Gallery, C Magazine, Issue 139
2016 Review: Floe Edge: Contemporary Art and Collaborations from Nunavut, Inuit Art Quarterly, Spring 2016
2016 Review: Questioning Citizenship at the Venice Biennale: Responses and Interventions, C Magazine, Issue 128
Below are a selection of writings produced during my time completing a Masters of Digital Humanities. My research looked at the social impact of technology focusing on the way national narratives are constructed in a digital era as well as looking at how contemporary Indigenous artists and activists use cyberspace as a place to counter those narratives. Book ending Expo ’67 with Canada 150, I conducted research on screen technology as a precusor to digital design and interfaces. Also, because of a curiousity of monuments as physical manifestations of national narratives, heritage conservation and memory studies provided a foundation upon which to consider how we archive digital heritage.
2017 ZIBI: A case study on thinking through Indigenous heritage values